"Alpine Shepherd Boy" is the fifth episode of the first season of Better Call Saul and the fifth episode of the series altogether. Alarming news disrupts Jimmy's efforts at drumming up new business, forcing him to make an extremely difficult choice.
Two cops arrive at Chuck McGill's house after his neighbor, who witnessed Chuck running outside and stealing her newspaper, reported him. As Chuck refuses to open the door due to his Electromagnetic Hypersensitivity,one officer walks around the house to the back door, finding that the breaker lines have been cut and that there are cans of oil on the Floor. From that and Chuck's odd behaviour the two officers deduce that Chuck is a "tweaker". As Chuck lectures the officers about probable cause they kick down the front door and taser him.
Meanwhile, thanks to the billboard stunt, Jimmy has gotten a lot of new potential business. He approaches an impressive ranch house to visit a prospective client, Big Ricky Sipes. The wealthy tycoon offers Jimmy $1 million in cash to help him declare his property a sovereign state and secede from the United States. Jimmy's excitement at the windfall quickly dissipates when he looks at his payment and sees Big Ricky's jovial face grinning back at him -- the eccentric mogul has printed his own currency. Strike one.
Not letting the first appointment's failure get him down, Jimmy visits an inventor named Roland Jaycocks. Roland asks Jimmy to help him patent "Tony the Toilet Buddy," a training toilet that spouts encouraging phrases to kids as they do their business, although Roland's apparently oblivious to the fact that all it's phrases come out sounding like sexual innuendos. When Jimmy suggests marketing the device to fetishists, an incensed Roland chases Jimmy out of his house. Strike two.
Finally, Jimmy visits Mrs. Strauss, an elderly woman who collects porcelain Hummel figurines. He assists her with estate planning, which mostly consists of allocating various Hummels to different friends and relatives. Mrs. Strauss finds Jimmy's moxie quite charming and pays his full fee upfront. Finally, his hard work has paid off, though not in the spectacular fashion Jimmy had wished.
At the nail salon that evening, Jimmy entertains Kim Wexler with tales of his eventful day, even imitating "Tony the Toilet Buddy" while attempting to give her a pedicure. Now that he has two wills and a living trust under his belt, Kim suggests that he could have a genuine future in elder law. Jimmy considers, but their conversation is interrupted when Kim takes a worrisome call from Howard Hamlin: something's up with Chuck.
Chuck wakes up in a hospital bed and panics at the sight of the fluorescent lights above his head. Jimmy shows up and begins to turn off the various electronics in the room, prompting the attending physician Dr. Cruz to call a security guard on him until he explains Chuck's condition. Dr. Cruz suggests committing Chuck for psychiatric evaluation as she believes the condition may be mental rather than physical. This is rebuffed by Chuck himself, who has come to and protests the diagnosis. To prove to Jimmy that the condition is indeed mental, Dr. Cruz activates Chuck's hospital bed without him noticing -- Chuck shows no symptoms whatsoever. Dr. Cruz pleads for Jimmy to commit Chuck to a mental Institution as his condition could make him a danger to himself and those around him. Howard shows up, concerned for Chuck's well-being, but he and Jimmy square off as Jimmy realizes that Howard is simply concerned about Jimmy cashing in on Chuck's partnership at Hamlin, Hamlin & McGill, once he is committed. In a fit of anger, Jimmy vows to have Howard's "cash cow" committed, although he admits to Kim sub rosa that he only wanted to make Howard sweat and he indeed intends to take his brother home.
After Jimmy brought Chuck home from the hospital and helps his fragile brother to the couch, he catches sight of the Albuquerque Journal on the floor -- still open to the article about the billboard stunt. He confronts Chuck about it and points out, that Chuck's symptoms always seem to worsen when he thinks Jimmy has been up to no good. Chuck denies this, but Jimmy continues to plead his case: the billboard was just a bit of razzmatazz to get the ball rolling. Now he's ready to embrace the straight-and-narrow, even thinking of specializing in elder law. Chuck remains skeptical, but Jimmy vows sincerely that the stunt was a one-time thing. "We'll see," responds a cynical Chuck.
Alone in his office, Jimmy painstakingly studies an episode of Matlock and carefully makes note of all the details in Andy Griffith's classic white suit. Soon after, a newly-coifed Jimmy waltzes into a retirement home, dressed in a linen ensemble. He works the room, shaking hands and charming potential clients as they snack on cups of gelatin that have his new slogan printed on the bottom: "Need a Will, Call McGill!"
After another busy day at the courthouse, Jimmy pulls up to Mike Ehrmantraut's booth. For once, he has all the requisite parking stickers. He tells Mike cheerfully about his new venture into elder law and offers him a large-print business card -- just in case he knows any elders. As Jimmy drives off, Mike stays in his booth. Night dissolves into morning and Mike finishes his shift. After eating breakfast alone at Loyola's Diner, he drives to a suburban neighborhood and parks across the street from a modest house. From inside his car, he watches as a woman exits the house, headed to work. As she drives by Mike, she slows and he makes no effort to conceal himself. The two lock eyes, but neither says a word. The woman drives off and so does Mike -- in the opposite direction.
At his house, Mike receives an unexpected visit from a pair of detectives. "A long way from home, aren't you?" Mike remarks to them. "You and me both," one of the detectives replies.
- The episode was originally titled "Jell-O," but the writers were forced to changed the name because Kraft Foods would not permit the use of their trademark.
- This is the only episode title in Season 1 that does not end with an "o" sound. It was this episode which inspired the naming scheme for all of the others in this season.
- This episode marks the earliest chronological appearance of Stacey, who first appeared in Breaking Bad.
- The restaurant where Mike has breakfast in this episode is the same restaurant he frequents during the run of Breaking Bad.
- The retirement home Saul visits to gain elderly clients is the same one Hector "Tio" Salamanca will stay in after his nephew's death. ("Caballo Sin Nombre")
- Saul's client pays with a mix of old- and new-style twenty-dollar bills. The new-style bills were released in late 2003 so she should not have any at this point.
- "Cosi Fan Tutte: Soave Sia Il Vento" by Mozart
- "No More Dues" by Rich Ruttenberg, Joel Hamilton & Jerry Kalaf
- "The Third Man (The Harry Lime Theme)" by Malcolm Lockyer Orchestra
- "One More Goodbye" by Arthur Smith
- "Chuck's Theme" by Dave Porter
- Roland Jaycox: "You're completely disgusting, you know that?!"
- Jimmy: "Hey, buddy, you're the one with the sex toilet."
- Roland Jaycox: "Get off my property!"
- Jimmy: "Hey, you know what? I hope you do make a fortune, 'cause Chandler's gonna need it to help pay for his therapy!"
- — Roland Jaycox and Jimmy about the "Tony the Toilet Buddy".
- Jimmy: "Heeeeey, there he is. The man in the booth, John Wilkes Booth, Booth Tarkington. Whatchu readin' there? The Complete Annotated Book of Rules for Parking Validation?"
- Mike: "No, the rules for parking validation are actually pretty simple. Most people get it on the first try."
- Jimmy: "Well, you’ll be pleased to know I have the requisite stickers."
- Mike: "Well, be still my heart."
- Jimmy: "Aaand... you can have this, as well. [hands over business card] I’m doing elder law now. "Need a will? Call McGill." So, give me a call if you, uh — uh, if, uh, you happen to know any elders."
- —Jimmy and Mike.